Wednesday, March 10, 2010

5 Days until the opening at Texas Gallery!

Somehow we didn't even manage to make it into the gallery today! We were running errands (driving down Dunlavy a mere 12 times) in addition to giving a visiting artist's talk to Paul Kittelson's Public Art class at University of Houston.

Today most of the photographs taken included our quest to have a cover sewn for the Michael Jackson Banner. Our first trip to the alteration store with vinyl proved to be useless because no one's sewing machines in town can sew that material without ripping it (we found two other opinions that backed that up). So we visited High Fashion Fabric in Midtown and found some white velvet.



We then had great plans to embroider "M.J." onto the white velvet but no one could do that by uh... let's say tomorrow so we left the plans to sew the "pocket" there and returned to High Fashion Fabric.



In addition to discovering that off the shoulder shirts were what to where to work, we came across sequined fabric. We thought we made the decision but then found something else. The deciding factor? We finally decided to look at the price tag and discovered the fabric in Nancy's arm was a mere $39.99/yard (ouch) compared to the $199.99/yard closer to the floor (hell no!).



and so 1/2 yard of gold sequined fabric was cut to cover one side of the white velvet pocket that will contain the Michael Jackson Banner as of tomorrow at noon.



Before leaving we did manage to admire this lovely feather dress (Fly Like an Eagle revisitation occurs on a regular basis around here):



Not pictured: multiple trips to Industrial Audio/Video where our DVD was reburned with chapters and shipped overnight to New Jersey with the hopes that it can still arrive by Friday (doubtful), purchasing wood for our "platform" pedestals for three of the larger objects, and our trip to Edward's to see Alice in Wonderland - a much needed respite from thinking about earthworks every waking hour.

Tomorrow we begin the photographic installation at Texas Gallery (Nancy, Ian, and Mark installed the video projection on Sunday). Getting closer!

Tuesday, March 9, 2010

Philadelphia Primarily/Society for Photographic Education Conference Secondarily


[Marcel Duchamp's Étant Donné]

I stopped in Philly for the first time on my way to Houston. I love this city! On the agenda (aside from the conference): Philadelphia Museum of Art (Marcel Duchamp’s The Bride Stripped Bare by Her Bachelors Even/The Large Glass and Étant Donné), the Mutter Museum, and the Fabric Workshop. Surprises that occurred along the way: Rocky Balboa’s statue and the run up the main staircase of the museum for Alexis (thanks to Nancy I was able to do this in public and call it performance art – video coming after Alexis emails it to me), Cézanne’s The Large Bathers, Bruce Nauman’s Days and Giorni sound pieces, an Oscar Munoz exhibition, Philagrafika 2010: The Graphic Unconscious (one of my favorites thanks to discovering his work at FotoFest ten years ago). The Fabric Workshop and the Cai Guo-Qiang exhibition were a bit of a let down because I was expecting bigger and better things but I did manage to pick up a fuzzy blue piece of wool that resembled cotton candy for Nancy from the floor.


[Detail of The Large Glass]


[Alexis sitting in Nauman's Days]


[Nauman's Giorni]


[Oscar Munoz drew these obituary portraits of drug dealers in charcoal and videotaped them washing down the drain]




The Mutter
was incredible in that only have to see once because everything is seared into my brain forever kind of way. Highlights: the giant skeleton next to the dwarf skeleton, Chang and Eng - the original Siamese twins' body cast and their preserved conjoined livers, and that 8’4” colon that held two and a half buckets of feces and weighed 41 pounds once removed from a 21 year old dead man, tanned human skin, and most important the flat files! I heard about the latter from Gayle Wimmer in graduate school and admit to wanting to go to the Mutter just to see 2000 + objects that were removed from various throats without surgery and catalogued in drawers. This was the only photograph I was able to sneak and the Perfect Attendance button was my favorite (left row, second from bottom).



Other highlights in Philly include the Reading Terminal Market which was right across the street from the conference hotel. It was an ideal location as we were able to eat all meals of the day here. Lots of cheese in this city: cream cheese, cheese steaks, cheesecake, etc. Funny how I am traveling from the second fattest city in the nation to the first one after one another.









Sunday, Alexis and I took the train to NYC – her first visit. The Whitney Biennial was PACKED because the Armory Show and Pulse were also taking place. Highlights from the exhibition include: Storm Tharp’s drawings though they were shown in the worst room possible (next to a very intrusive video that did not make you want to stay and contemplate his work at all), the Bruce High Quality Foundation video installation, I Like America and America Likes Me on the windshield of an old ambulance, David Adamo’s stripped down canes that resembled spindly insect legs, Kate Gilmore’s video of destroying the walls in her attempt to climb out of a room built inside of the gallery, and James Casebere’s large photographs of a miniature suburb. Overall, it was good to see but I wasn’t blown away with anything compared to the day before at the PMA and Mutter Museum.

What little I saw of the conference was also a success. Ball State had a lot of student representation at the portfolio reviews (here is Karla showing her photographs to Alexis with Jon in the background and Monica and Shannon - sorry I didn't catch you Molly, Ashley, and Laura).





I got to meet some great people (who wear cool tee-shirts as in this photograph of Ian van Coller at happy hour at our Modernist hotel… Loew’s).






[View from Room 2510 with the Delaware River and New Jersey in the background]

And on a miscellaneous note... One of my favorite buildings... the Philadelphia Institute of Art on Chestnut.



… and then I flew to Houston where I was greeted with a platter of delectable rug samples.



Monday was “settle in” day because I arrived late in the afternoon starving and tired. After lemongrass tofu at Mo Mong, Nancy and I made a list of what we had to accomplish Tuesday beginning with the DVD, a velvet and embroidered case for the Michael Jackson’s banner, and finding wood for pedestals for some of the larger objects that will reside on a table at Texas Gallery.

The announcements were Fed-Exed to me in Philadelphia and they LOOK GREAT!!! Very exciting!



(Better photograph coming soon) and more and more and more to come….

Sunday, March 7, 2010

En route to Houston but first SPE in Philly



More coming soon (we have to catch a train to NYC in an hour)...

Press from Glasstire

"Yes! Jacinda Russell is back in town and with her partner in crime Nancy Douthey, the duo presents their first collaborative exhibition at Texas Gallery. Two years in the making, 3 Weeks, 6 Earthworks, 1 Portable Studio, and ALL That Lies in Between is based on their road trip to the American West to visit 6 major earthworks. The exhibition includes photographs, sculptures, books, and video and be sure to take a look at the real time blog that recorded their adventure every mile of the way. We think this show deserves an extra loud shout out!"

Wednesday, March 3, 2010

Press from Paper City

"Girls Gone Wild: Our vote for fave guerilla show of FotoFest goes to the duo of Nancy Douthey and Jacinda Russell at Texas Gallery; the pair present stills from their Thelma & Louise–type adventure to the wilds of the American West, where they communed with earthworks by the big boys of American art, including Robert Smithson’s Spiral Jetty (March 13 – April 17) ..."

Three Years Ago...

... I gave my wedding dress to Nancy to do whatever she wished with it as I did not want or need it anymore. This is what became of part of it as of three days ago:


Quote of the Day (sometime after 1 AM when both our phones were at 10%)

"Don't be getting all environmental on me now."
Nancy to Jacinda in reference to what big hair lies ahead.



Studio Photographs taken today ...









and slipcase for artists' books cut and constructed (paper to be purchased in TX to cover it), pedestals wrapped after paint dried, Amarillo Ramp Rock attached... Mailing it tomorrow morning and in addition to packing (as always last minute), I think I am done with everything that needs to be completed before leaving for Philadelphia and Houston. At long last everything came together.

Tuesday, March 2, 2010

Press Release from Texas Gallery



JACINDA RUSSELL & NANCY DOUTHEY
3 Weeks, 6 Earthworks, 1 Portable Studio, and ALL That Lies in Between

March 13 - April 17, 2010
Opening Saturday March 13, 2010 5 - 7 PM
2012 Peden
Houston, TX 77019
713.524.1593
info@texgal.com

Texas Gallery announces the first collaborative exhibition of the artists - Jacinda Russell and Nancy Douthey in Houston. The two artists worked for two years to develop, prepare and present 3 Weeks, 6 Earthworks, 1 Portable Studio, and ALL That Lies in Between. The exhibition will include photographs, sculptures, books, and video.

For three weeks in the summer of 2009 Russell and Douthey traveled in the American West visiting 6 major earthworks created by American artists in remote locations, as well as stopping at other more accessible sites of perhaps more popular cultural significance. Fantasizing about the artists who made the works they created a commentary on the locations of the works as well as the works themselves. With gentle humor, many splashes of pink, and fake moustaches, the artists both celebrated these works as significant wonders of the art world but also found them deserving of a gentle ribbing for the sheer ambition that fed their creation in the vast Western landscape. In the current political climate of arguments about the preservation of nature vs. its destruction, of small foot prints on the land vs. large, their quest became a questioning. A significant part of the exhibition is the real time blog that recorded the day by day activities of their journey and that is still available at www.earthworksnearyou.blogspot.com.

Nancy Douthey earned her MFA in Intermedia from University of Houston. Douthey lives and works in Houston. Jacinda Russell has an MFA in photography from University of Arizona. Russell lives and works in Muncie, Indiana where she teaches at Ball State.

The exhibition will be on view until April 17, 2010. The public opening is on Saturday, March 13 from 5 - 7 pm. For further information contact Lisa Godfrey at Texas Gallery, 2012 Peden, Houston, TX 77019, 713.524.1533; 713.524.0534 (fax), info@texgal.com and www.texgal.com.

Monday, March 1, 2010

DVD Cover (Rough Draft)

Thanks to Molly Cumming for the design and Fredericka and Ian for the publication.

Sunday, February 28, 2010

Amarillo Ramp Rock, 2009


[Image from the artists' book Inventory by Nancy Douthey and Jacinda Russell.]

On 23rd June, I threw a rock from Spiral Jetty into Sun Tunnels; I tried very hard to make it land on top of one of the concrete tubes but failed.

On 28th June, I tossed a chunk of mud from Sun Tunnels into Double Negative from the top of the rim.

On 1st July, I flung a rock from Double Negative toward Roden Crater really wishing I could have dropped it from the airplane the day before during our fly-over.

On 3rd July, I dropped an orange stone from Roden Crater into Lightning Field on my walk around the perimeter.

On 7th July, I hurled a pebble from Lighting Field into Amarillo Ramp watching it bounce off the dry earth into the cacti.

TBD: This rock from Amarillo Ramp will be delivered to Spiral Jetty eventually completing the circle and ensuring a third visit.

Blurb Edit: Round 2

One reason why I can't seem to start this Blurb book edit (which is reminding me an awful lot of my aversion to packing early):



In addition to a cat in front of the computer every time I turn around, I can't understand why the aqua color on the cover of "Nine Swimming Pools..." printed bluish gray. I also think that I've procrastinated so long because editing is such a crap shoot in terms of how to edit. Do I lighten just five images or all the photographs? How much so when the one on the computer looks just fine but was printed so differently?



Love having "OK" on the pink post-it. It's a rare thing in this pile that must now be measured and chip board cut for the containers to be mailed to Nancy by Wednesday.

Saturday, February 27, 2010

Texas Gallery But First..... Volume I (Nine Days to Houston)

Drive to Athens, Ohio and pick up two photographs from the "Rehearse, Rewind, Repeat" exhibition (if you squint you can see our two photographs - hot pink!). It's evidence of our first exhibition with this project! Nine hours round trip but at least it featured spending dinner with James (on his birthday) and Tanya in Springfield, Ohio.





Pack forty-seven "Wunderkammer" boxes to ship to Louisiana Tech University for a two-person exhibition. Avoid inadvertently packing cats playing nonstop in bubble wrap and cardboard.



Volume II features trying not to have a heart attack finishing everything by Wednesday night.

Volume III will feature the National Society for Photographic Education conference in Philadelphia and a train ride into NYC to see the Whitney Biennial with Alexis.

all within the next eight days!!! YIKES!

Thursday, February 25, 2010

the real question is...

how much prairie underground will be in the house when i arrive at the douthey/correro residence. wait until you see Nancy's black feather dress for the opening! maybe i should look for one of these.
"Fly Like an Eagle...."


Two of the pedestals for the sculptures in the exhibition...



(thanks Chet for manufacturing all four of them)

These will house the sculptures: Amarillo Ramp Rock, Michael Jackson Soap, LBK Bell, and Red Lipstick. Also included: Michael Jackson Banner, Popped Balloons from Roden Crater Grand Opening Parade, and Can Phones.

These books of ours...


(a quick shot of the ten on my office floor before shipping them to Houston)

Well there are many things to be said about making a Blurb book. It's far easier when text is not involved (formatting is more difficult). We have to reprint four due to images printing darker than acceptable (but four is far better than re-doing all ten). The book I was least satisfied with on the computer is by far the popular favorite in print - Conversation Maps. Motels does not live up to my expectations. I am in constant debate whether or not these should just be made as one volume because it would be far cheaper to produce and the point will still come across (also when grouped together, they aren't as significant as I had anticipated and with one volume it could be a hardback with text on the spine). I will be constructing a chipboard holder to contain all of them once arriving in Houston (as Texas Art Supply has far more options on paper than Muncie, Indiana). Overall the print quality looks good especially in Nine Swimming Pools and a Fake Doughnut and Car Games I: Geodomes. As soon as Nancy and I sort out a few things about these in person, they will go public on the Blurb website. In the meantime... here's to finishing the four before next week!

Books Books Books: Our Blurb Book Inspiration



Ed Ruscha, Two Books, 2001



Ed Ruscha, Some Los Angeles Apartments, 1965



Ed Ruscha, Every Building on the Sunset Strip, 1966



Ed Ruscha, Twenty-Six Gasoline Stations (Drawing), 1964

Tuesday, February 23, 2010

Two weeks from today...

...I will be in Houston with Nancy installing the exhibition at Texas Gallery! We have been swamped editing the video entitled "A Chronological Film: Twelve Shorts and Twenty-five Short Shorts" (details coming soon!), contemplating pedestals for the small objects, shipping photographs, designing DVD cases, editing the exhibition postcard image, and some general PR. Things are coming together slowly but surely. We will even have a website devoted entirely to this project to be unveiled in early March. A lot more posts coming soon! We have another radio show, shopping for the perfect dress for the opening (oh boy this will be humorous), a few more studio/gallery visits (eeeeee!), more (one way) artist correspondence with Ed Ruscha and James Turrell, installation shots, and so on.



image via

Sunday, February 7, 2010

The Blurb Books are Here! The Blurb Books are Here!

Better photographs coming soon (we only have to redo four of the ten).

Car Games I: Geodomes



Nine Swimming Pools and a Fake Doughnut